Index, Chromaticism
In
Marjorie Welish

1
Yseult, Yseut, Ysolt
perilously close to
distinctiveness, individualistically
experienced stress of hairsplitting
doctrine to word.
Except excerpt
Distinctions branching
yet not
excavate, excavation, excavator, exceed, exceeding, exceedingly, excel,
excellence, excellency, excellent,
excelsior: fine curled wood shavings, esp. for packing fragile items
Companion to The Cantos, an odyssey alphabetical
Yseult, Yseut, Ysolt
Perilously close to everything:
Cavalcanti, Guido
Cave-paintings
From The Pound Era
Entries as mind, another’s mind
alphabetically so distant and indicating
detachable from a wall in the mind of reading
consequentially. Distinction: good to go.
2
Odysseus
Odyssey
in medias res
Ideogram
Ideogrammic
In medias res
In residence
are the many
Gradations / There are distinctions in clarity
(Brooke-Rose, quoting Pound)
gradients
for calligraphic
going forth
groping towards
the modern distinction
between statement
and utterance
rather at sea:
At sea, “the sage delighteth in water”
3
gradation
grade
gradient
gradual
graduate
grating: a partition, covering or frame of parallel bars or crossbars : GRATE
arguably
not a delusion
but distinct
defiance elongated at crosswalk, the latter
thought detour, around the dig.
An adage
may have emerged from apparently irreconcilable dogmas, she said,
ruminating. Which is the imponderable
signage
aging, incrementally
the bespoke commentaries
and technologies shading to a field. The book which came after.
Grating or gradient: the chorus did say
did not say
But property did speak
did not speak as it burst
did not burst
–In loving memory of Tyrone Williams
Lead image: Marjorie Welish, #7, from “Indecidability of the Sign: Yellow/Black: Meander Collab,” 2022.
Poet, critic, and visual artist Marjorie Welish is the author of several books including A Complex Sentence (Coffee House Press, 2021) and So What So That (Coffee House Press, 2016). As a visual artist, she has exhibited most recently in New York, Paris, Vienna, and Cambridge. The February 2024 issue of Artforum published a ten-page portfolio of her art represented by Emanuel von Baeyer (London). A conference on her arts practices at the University of Pennsylvania in 2002 became a book of essays: Of the Diagram: The Work of Marjorie Welish (Slought Foundation, 2003).