E. Tracy Grinnell
from orchid memory, or night
blurred
by tremors
sketched
on water
corruptions
of false
intimacies
exacting memory
within rooms
sung
to multiply
the void
: figure
one
:
defined by lack
of light
out of chaos—the birds
repeat motions—
the edges rehearsed
horizons
:
by tremors
sketched
on water
corruptions
of false
intimacies
exacting memory
within rooms
sung
to multiply
the void
: figure
one
:
defined by lack
of light
out of chaos—the birds
repeat motions—
the edges rehearsed
horizons
:
the dream has the substance
of memory
it presses as after as
pressure
driven
into
a
world
again
into
a
world
again
i dreamt a torn hand
between thumb and index finger
wing-like
but of broken skin
flayed
crimson
blood yet
translucent, and
larger, it was
my whole hand
—accumulation
of fluids
in every
color
the infant’s
mouth
left open—
butterfly
with
excessive
wings
:
figure
one :
drawn night-
ward
by dawn, draws
circles in
circles
reverting to fugue
:
figure
one :
is past
is spiraling
is alphabetic
flames like
vapor
engulf
surrounding
woods
the home
the bird
escapes
and i slip
with the bird
under
the black
surface
of the lake
as gusts
of flame
blow
over
and consume
everything
to surround
the empty space
at the center
in darkness :
figure
one
:
collapsed
ignited
—on the cusp—
—of night
or dreams,
or fates, or air, or fury,
or day, or sleep
or death, or discord, or
love, or dawn, or deception, or
strife, or madness, or
sky—
syntactical
progeny
the empty space
at the center
in darkness :
figure
one
:
collapsed
ignited
—on the cusp—
—of night
or dreams,
or fates, or air, or fury,
or day, or sleep
or death, or discord, or
love, or dawn, or deception, or
strife, or madness, or
sky—
syntactical
progeny
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E. Tracy Grinnell is the author of five books of poetry, including Hell Figures (Nightboat Book, 2016) and portrait of a lesser subject (elis press, 2015). With Isabelle Garron, she is the translator of way by Leslie Scalapino into French (Éditions Corti, 2020). Her writing has also appeared in a wide range of journals and collections, including BAX 2016: Best American Experimental Writing, edited by Charles Bernstein and Tracie Morris (Wesleyan University Press, 2016). She lives in Brooklyn, New York and is the Founding Editor and Executive & Artistic Director of Litmus Press.
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