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In line with the artists’ tendency to recover older, lost, damaged or forgotten works of their own across different media, a minor piece of damage (2020) takes as its subject Sid Iandovka’s paintings. Through the act of film editing and visual layering, a minor piece of damage is less about documenting the canvasses as they originally were, or even in their current state, than it is an opportunity to integrate these paintings as objects within an entirely new structure of visual images. 
–Herb Shellenberger


Sid Iandovka
a minor piece of damage






Read next: Sid Iandovka & Anya Tsyrlina: partial filmography Back to As Yet Untitled: A Dossier on Sid Iandovka & Anya Tsyrlina



Founded in 2020, Three Fold is an independent quarterly based in Detroit that presents exploratory points of view on arts, culture, and society in addition to original works in various media, including visual art, literature, film and the performing arts. We solicit and commission contributions from artists, writers, and activists around the world. Three Fold is a publication of Trinosophes Projects, a 501(c)3 non-profit organization.

Three Fold recognizes, supports, and advocates for the sovereignty of Michigan's twelve federally-recognized Indian nations, for historic Indigenous communities in Michigan, for Indigenous individuals and communities who live here now, and for those who were forcibly removed from their Homelands. We operate on occupied territories called Waawiiyaataanong, named by the Anishinaabeg and including the Three Fires Confederacy of Ojibwe (Chippewa), Odawa (Ottawa), and Bodewatomi (Potawatomi) peoples. We hold to commit to Indigenous communities in Waawiiyaataanong, their elders, both past and present, and future generations.